The work Factitious Imprints (2016) by Eva Papamargariti (Fellow 2019) is selected from the New Museum to be screened online at the Screen Series program!
In 2016, the New Museum inaugurated a platform for the presentation of new video works by emerging contemporary artists titled Screens Series. Encompassing a combination of screenings in the New Museum theater and on monitors in the Lower Level walls, the series has presented artists working with a range of media—from 16mm film to computer-generated imagery (CGI). While the Museum remains closed due to heightened concerns around the spread of COVID-19, we will feature selected videos by Screen Series artists on a weekly basis, bringing art to the public at home.
Factitious Imprints (2016) features images of landscapes ranging from imagined settings that have been constructed with digital tools to real places that have been transformed through landfills and other human attempts to combine the artificial and the synthetic with the natural. Conflating processes of digital and organic transformation, Papamargariti looks at how surfaces can obscure these processes and questions how nature’s imprint will exist or endure in the future. What will a fossil from our time look like, for example? Incorporating perspectives and camera imagery taken from navigation tools such as drones, Google Maps, and handheld recording devices, Factitious Imprints courses through a distorted landscape of overlapping surfaces—from the artist’s own skin to food containers to simulations of plants and oceans—that shifts and changes form as we move through it.