Author: gourgourini

Liquid Junctions / MEDITERRANEA 19 x ARTWORKS

ARTWORKS, supported by the Stavros Niarchos Foundation (SNF) and the Stavros Niarchos Foundation Cultural Center (SNFCC), in the context of its collaboration with MEDITERRANEA 19 Young Artists Biennale School of Waters will be organising a series of events in Athens under the title Liquid Junctions. The Liquid Junctions events are part of the Biennale parallel program, which will be held in various cultural institutions across the Mediterranean with a view to activating discussions around the themes of the Biennale and disseminating the exhibition’s programme .

On Friday, June 4, at 7 p.m. local time, ARTWORKS will hold a public event at the SNFCC Dome in order to support and showcase the work of all SNF ARTWORKS Fellows selected to participate in the Biennale (Ionian Bisai, Eva Papamargariti, Valinia Svoronou and Chara Stergiou). Liquid Junctions will include a DJ lecture by Hara Stergiou; a performative reading by Quinn Latimer and presentations of the works of Eva Papamargaritis, Valinia Svoronou and the artistic duo Latent Community (Ionian Bisai and Sotiris Tsiganos).

Between May 15 and October 31, 2021, MEDITERRANEA 19 School of Waters will be presenting the work of 70 artists from 21 Mediterranean countries for the first time in San Marino. The MEDITERRANEA 19 School of Waters envisions the Biennale as a collective tool for deconstructing stereotypes stemming from the Eurocentric interpretation of the Mediterranean basin, focusing particularly on the material and symbolic nature of water from a geopolitical as well as an ecological perspective. It is an invitation to discover anew the fluidity that has turned the Mediterranean basin into a versatile habitat in which various life forms and knowledge-production processes have coexisted for centuries.

The participating artists place the focus on ecofeminism and examine the major ethical and economic roots of environmental issues. Inspired by mythology, science fiction, contemporary history and examining the matter through the prism of complex marine ecosystems, they challenge human superiority and navigate the notions of feeling and thinking in more-than-human worlds.

Eva Papamargariti uses time-based media, printed material and sculptural installations to explore the relationship between digital space and material reality. Papamargariti focuses on the dialectics of fluidity, motion, as well as the relationship between bodies and the traces they leave behind as they float, sink, disperse, get cast in and out of water.

The work of the artistic duo Latent Community (Jonian Bisai and Sotiris Tsiganos) combines fieldwork and moving image to tackle contemporary judicial, social and ecological issues. The duo aims to create conceptual and emotional experiences through which a more equal and sustainable future may be imagined. Their research focuses on the critical reading of non-canonical stories and examines the ways in which these become embedded in new contexts.

Chara Stergiou’s interdisciplinary practice develops at the junction between epistemological research and artistic practice. Stergiou’s DJ Lectures are hybrid narrative techniques for disseminating stories, geographies, and identities based on non-locality and can be seen as sonic, almost radiophonic, events to be transmitted through the lens of a deviated ethnomusicology.

Valinia Svoronou’s practice includes text, moving image, augmented reality applications, publications, prints and sculpture. Using references from science fiction and mythology, she navigates alternative ways of remembering or narrating stories from a non-dominant perspective.

As part of Liquid Junctions, guest poet and critic Quinn Latimer will hold a performative reading based on her work The Samos Lecture (Like a Woman: Essays, Readings, Poems). Combining live performance and the written word, Latimer’s work examines issues of genealogy and influence, the poverty and privilege of place, as well as feminist economies of writing, reading, and art-making. She will also present her film How to Move Like the Ocean (Liquefaction, Lubrication & Expansion in Twelve Easy Steps), created in collaboration with Temitope Ajose-Cutting in 2020. In this work, the two artists ask a series of questions, for example: in times of isolation, what do we lack? How do we learn? What is a body, and what is a body of water?

The Mediterranean Biennale 19 School of Waters, organised by BJCEM – Biennale des Jeunes Créateurs de l’Europe et de la Méditerranée and the Republic of San Marino will present from 15 May to 31 October 2021 the works of over 70 artists from 21 different countries, hosted for the first time by the Republic of San Marino.

Senior Curators: Alessandro Castiglioni, Simone Frangi
Curatorial Team: Denise Araouzou, Giulia Colletti, Panos Giannikopoulos, Giulia Gregnanin, Theodoulos Polyviou, Angeliki Tzortzakaki and Nicolas Vamvouklis.

The Ministry of Education and Religious Affairs General Secretariat for Vocational Education, Training, Lifelong Learning and Youth in Greece as well as the Municipality of Thessaloniki, Directorate of Culture are founding members of BJCEM and support the participation of Greek artists and curators in the Biennale Mediterranea 19.

Liquid Junctions: MEDITERRANEA 19 Young Artists Biennale – School of Waters x ARTWORKS | SNFCC

Free entry by online pre-registration

Pre-sale points:

Schedule:

19.00  – Introduction and welcome by the co-organisers ARTWORKS & MED19
19.15 – Screenings and short introductions by the artists
Valinia Svoronou, Endymion (greek)
Eva Papamargariti,  As they were drifting away, their bodies turned into waves, 2021 (english)
Latent Community NEROMANNA (greek, english subtitles)
Latent Community Ocean is future (work in progress)
Quinn Latimer, How to move like the Ocean (english)
20.15 –  Quinn Latimer reading performance of The Samos Lecture (english)
20.45 –Chara Stergiou – dj Lecture Listening to an Elusive Geography  greek)

 

 

Exhibition “Reclining Artist, the Artist is reclining” by ELENI BAGAKI

Visual artist and Fellow Eleni Bagaki is exhibiting at Eleni Koroneou Gallery

Opening: Friday 4 Ιουνίου, 12-9 pm
June 4 – July 17 2021

Reclining artist, the artist is reclining

I am taking a break

I stop to think, enjoy, absorb

What is there left to make?

I take it easy, I slow down, I look back

Joy and desire

What can I reclaim?

Myrto Xanthopoulou in the second part of the F.A.R. (Floor Area Ratio) program

Within the framework of the second part of the F.A.R. (Floor Area Ratio) program, 3 137’s glass facade hosts a new installation by artist Myrto Xanthopoulou.

Her work titled The Opposite of Falling covers 3 137’s windows. It is a grid made of masking tape and scotch tape; a composition of shapes and text. The materials used are secondary – familiar and ordinary, opaque but light-permeable. Light penetrates them and thus the work is transformed throughout the day. The tapes are both connections and borders, they frame and delete. The work is a comment on light, certainties and permeability, footnotes or endnotes.

Myrto Xanthopoulou’s installation is placed next to the existing interventions presented by Can Altay, Diohandi, Zoe Giambouldaki, and Kostis Velonis as part of the first installment of the F.A.R. program. Thus, the presence and coexistence of these works transforms 3 137’s outdoor space into an informal public exhibition space.

F.A.R. (Floor Area Ratio) maps the economic, cultural, and residential changes that have been taking place in the city, while giving prominence to multiple narratives and images of both the past and the future of Athens. A reference point as well as a source of inspiration, the city of Athens becomes a field of action hosting a series of artistic interventions in its public space. These interventions mainly aim at provoking the public’s imagination, while also prompting unexpected encounters with the residents of the city; consequently, these interventions aim to reveal the conceptual bonds between the material world that surrounds us and the economic models that (re)structure it.

F.A.R. (Floor Area Ratio) Part II was made possible with the support of the Hellenic Ministry of Culture and SportsOutset Contemporary Art Fund Greece, and Mécène / Mycenae (the membership scheme of 3 137).

 

F.A.R. PART II

The Opposite of Falling

A work by

Myrto Xanthopoulou

May 10 – June 10, 2021

3 137, window display

(Visible 24/7)

Myrto Xanthopoulou is a visual arts SNF ARTWORKS Fellow.

Group show “Against the Linear”

Five Fellows – Sasha Streshna, Spiros Kokkonis, Iasonas Kampanis, Anastasia Pavlou and Pavlos Tsakonas –  participate in the exhibition Against the Linear, opening in May 15th. The exhibition is the aesthetic extension of a discussion between artists about how and where the fragmentary experience acquires material substance in their work. The exhibition can be seen as a sampling selection, curated by Konstantinos Lianos accompanied by Aris Anagnostopoulos’s text entitled Fictioning – towards a technology of potentiality.

Artists:

Sasha Streshna
Anna Gonzalez Noguchi
Theo Michael
Spiros Kokkonis
Iasonas Kampanis
Anastasia Pavlou
Konstantinos Lianos
Kostis Velonis
Pavlos Tsakonas

curated by Konstantinos lianos
text by Aris Anagnostopoulos

KONSTANTINOS SAMARAS, DAPHNE HERATAKIS & NORA TETTTIX MEET AT THE Piraeus Municipal Theatre

Konstantinos Samaras, Daphne Heretakis and TETTTIX meet at the Piraeus Municipal Theater to create a new kind of movie. An empty theater, against the backdrop of an empty Athens, becomes the refuge of a group of musicians, but also of a mysterious woman named Nora.

Directed by our Fellows Konstantinos Samaras and Daphne Heretakis.

Screen days:
Thursday 13/05
Friday 14/05
Saturday 15/05
Sunday 16/05
Wednesday 19/05
Thursday 20/05
Friday 21/05
Saturday 22/05
Starting time:
21:00

http://tetttix.com/

 

ΑRTWORKS will support the Expanded Public Program of Mediterranea 19 “School of Waters”

ARTWORKS, with the support of the Stavros Niarchos Foundation (SNF), partners with the Biennale of Young Artists – MEDITERRANEA 19 – School of Waters , joining the Expanded Public Program Digital Swamp which will take place in various Mediterranean cities. The aim of this Program is to activate a network of discussions and actions around the thematic School of Waters.

Specificatlly, ARTWORKS will support the SNF ARTWORKS Fellows who have been selected to take part in the Biennale (Ionian Bisai, Eva Papamargariti, Valinia Svoronou and Chara Stergiou) by organizing two events entitled Liquid Junctions. The first event will be held digitally on May 19th 2021, through two separate conversations between the guests speakers Ella Finer and Chuz Martinez, the participant artists and members of the curatorial group of Biennale, Panos Giannikopoulos and Angeliki Tzortzakaki. The second event will take part on June 2021, in a physical space in Athens, presenting the works of SNF ARTWORKS Fellows who will be exhibited at the Biennale at San Marino. More to be announced soon.

The Expanded Program of the Biennale MEDITERRANEA 19 – School of Waters, Digital Swamp, will be streamed online on the Biennale’s platform, mediterraneabiennial.org and the School of Waters Youtube account from May 14th until May 23rd 2021. ARTWORKS will be joining the Program on May 19 2021.

May 19

CONVERSATIONS
Liquid Junctions

18.00

Chus Martinez with Eva Papamargariti, Valinia Svoronou and Panos Giannikopoulos

19:30

Ella Finer with Chara Stergiou and Angeliki Tzortzakaki
With the support of the Stavros Niarchos Foundation (SNF)
Livestreaming from ARTWORKS, Athens, Greece

 

More info about the Digital Swamp | Expanded Public Program | 14-24 May 2021 in the following link

https://mediterraneabiennial.org/Digital-Swamp

The Prefix “co”

The second part of the Hydroexpress Project will focus on the correlation between “The Commons” and the Greek family model, as far as their mechanisms used by the members to survive, coexist and support each other, are concerned. Hosted artists, writers and architects analyze and highlight the notion of “Community” through the three main axes that characterize the commons (goods, community, and their regulatory framework), which are reproduced in the traditional way of life of people who share the Greek mentality and culture.

In this chapter, we will examine the uniqueness of the Greek family where through the care of each other and the deference for their needs, the boundaries between the individual and the collective have become fluid. But also, how in “the Commons” the members, not related by blood or kinship, are greater in number and usually work without hierarchies for the benefit of the community. We will also see the differences between the family and “the Commons”. The kinship between family members often creates a closed character; the members end up facing patriarchal remnants, intervening behavior and interdependence. While, on the other hand, “the Commons” value the osmosis of ideas that taking place between members, strengthening concepts and values such as collectivity, solidarity, care etc.

This year, Maria Varela is hosted in Hydroexpress Space presenting the work “Family Structures of Finite State” while in this edition the writers are Eva Vaslamatzi, Daphne Dragona and a Whale’s Architects, as well as there are works by Theodora Kanelli and Artemis Papachristou.
*The Hydroexpress Project is an initiative of the artist Marina Papadaki. It started in 2019 on the occasion of the co-location of her father’s business (YDROEXPRES) and her art studio in an old family house in Kaminia in Piraeus.

Marina Papadaki, Maria Varela, Eva Vaslamatzi and Theodora Kanelli are SNF ARTWORKS Fellows.

May 15th, 2021 // 13:30 – 20:00
Paxon 8 Piraeus
Exhibition Duration 16/5 – 23/5
Open: Saturday & Sunday 18:00 – 20:00

Due to the epidemic situation from the virus Covid 19, inside the space will be maximum of two people each time keeping all the necessary safety measures and the use of a mask is mandatory.

WORKSHOP: EXTRA-TERRESTRIAL ETHNOGRAPHIES OF THE FUTURE-PRESENT

Some of our Fellows joined the workshop “Extra-Terrestrial Ethnography of the Future-Present: collaborative Writing and Zine workshop” organised by SNFPHI in collaboration with the University of Thessaly research project Greek Future Archive of Socialities Under Quarantine, the Anthrobombing platform and the Athens Zine Bibliotheque.

PART I: WRITING WORKSHOP

Taking the contemporary moment as an alien world, participants in this two-part workshop will embark on “tracking” missions, using memes, news media, vlogs, archival images, political satire, peer commentary, and works of fiction (e.g., plague literature) as “data” to create a collaborative sci–fi ethnography. The resulting textual body—an extra-terrestrial account of our “new normal”—will evolve online through a collaborative platform and result in a zine publication prepared by participants on December 17. The workshop will be conducted in Greek, with an Εnglish option.

Workshop conveners: Alexandra Siotou (University of Thessaly), George Mantzios (University of Toronto), Penelope Papailias (University of Thessaly)

In collaboration with the University of Thessaly research project Greek Future Archive of Socialities Under Quarantine and the Anthrobombing platform.

PART IΙ: ΖINE WORKSHOP

How might we turn collaborative writing and online data expeditions into zines? How might zines become vehicles for documenting the present? This workshop will draw on ideas and data produced in the context of SNFPHI’s sci-fi ethnography workshop (in November 2020) and the screening of Υorgos Zois’ Third Kind (in December 2020) to produce a collaborative zine reflecting on COVID19 from the perspective of an alien future.

In collaboration with SNFPHI project awardee the Athens Zine Bibliotheque, the University of Thessaly’s Greek Future Archive of Socialities Under Quarantine research project, and Anthrobombing platform.

Participant Fellows:
Liminalia (p. 4-13): Elektra Stampoulou, Natalia Papadopoulou, Irini Kalaitzidi, Antigone Michalakopoulou
Fragments from the south (p. 14-25): Elena Demetria Chantzis, Eirini Vlavianou, Eleni Bagaki
Haumea (p. 26-33): Ilektra Maipa
Maria Tsilogianni (p. 34-35)
951 Graspra (p. 36-67): Ionian Bisai, Vasilia Kaga, Stefania Orfanidou
Pandoras (p. 68-79): Angelos Papadopoulos
Flower Power (p.98-107): Sofia Dona, Aimilia Liontou, Thanasis Neofotistos, Phaedra Vokali

 

http://art-works.gr/wp-content/uploads/2021/05/a_Zine_liminalia.pdf

Melting snow as if in a room – Andreas Ragnar Kassapis & Constantinos Hadzinikolaou

Snow silent, a quiet numbness as space is proofed from sound. Minute crystals accumulate to transform our sight into whiteness that blinds. And then (as if) melting it dissipates, ebbs out of view and consciousness. Imprinted on our memory we long for its next cycle of fullness and flow.

Both Andreas Ragnar Kassapis & Constantinos Hadzinikolaou set similar questions, responding with different means. Ellipses become materiality as they tentatively struggle with the insidiousness of image-making. Each work is a small triumph in the lowly and lonely quest of thinking about form, the resurfacing of its absence, the lacunae in our memories of. How objective is our relationship to the everyday objects that surrounds us, these support structures that condition the patina of our lives? Both artists think about the fine line that connect us to the everyday and its representation: the surface pull, the depth that calls, that pallid in-between.

Both artists allow us to witness the arduous process of articulating the hows and wheres of images, the punctum, negative and positive, our prelingual memories which may have been erased. In the exhibition a painting leads you to a word (like a gaping question mark), on to a muffled sound, followed by an intravenous explosion of color, to the tonality of silence, then shade and dusk and back again to the surface pull of the simple pleasures of paint on canvas. One artist’s suggestion sets the stage for the next, thinking together and apart in a subtle choreography of give and take. Unclear of what is spoken and what is left unsaid, Kassapis and Hadzinikolaou, nudge us gently to an ontological horizon between each of them and everyone of us, between the blueness of a son’s ear and the helplessness of a blanched brushstroke.

The haptic, the acoustic, the muteness of painting, the meticulously handwritten (where the rush of words become a glutinous web of meanings), the somnolence of accumulation, the recording on and off and on again, a constant flow of visual signifiers, function as residues that seem to come from some dark point within. Kassapis and Hadzinikolaou enlighten them, bringing them to the surface, together, for us to see: images we know, have known, we see, somewhere (yes!) we have seen.

Andreas Ragnar Kassapis is a painter who looks at photographs and a writer. Constantinos Hadzinikolaou is an artist, writer and film-maker. This exhibition is based on a friendship and a long-term conversation on images and the making-of.

~

Andreas Ragnar Kassapis (1981) studied at the School of Fine Arts in Athens from 1999-2004 where he lives and works. His work includes paintings, drawings, photographs, texts, sound and music. He has also worked on set designs and as a teacher. In his practice he has focused on mechanisms of memory and representation within cultural history using methodologies linked to psychoanalysis, phenomenology and contemporary cultural criticism.

Solo shows: Songs. Athanasios Argianas / Andreas Ragnar Kassapis (Hero Gallery, Amsterdam, 2018), Breakwater (Independent Space, Athens 2015), How Can oneRemember Thirst? (Loraini Alimantiri Gallery, Athens 2011), Bones are Tight (Loraini Alimantiri Gallery, Athens 2008), Numb (Loraini Alimantiri Gallery, Athens 2006).

Selected group shows: Documenta 14 (Art, Director Adam Szymczyck cur. Katerina Tselou, Athens / Kassel 2017), Reverb: new art from Greece (cur. Evita Tsokanta – Eirine Efstathiou, Boston, 2014), Hell as Pavillion (cur, Nadia Argyropoulou, Palais de Tokyo, Paris, 2013), Heaven, Athens Biennale (cur. Christoforos Marinos, Athens, 2009), Anathena (cur. Marina Fokidi-Marina Gioti, Athens, 2006).

Selected set designs: Era Povera, Patricia Apergi (Athens 2012. As my Heart in a Storm, Bijoux de Kant (Athens 2012). Blossom, Agni Papadeli Rossetou.

Selected musical works: Rooms in negative-Lucky Boys published on tape.(untitled. 1) 2019. Rooms in Negative, published on vinyl (2009), Look and the Beast, Music for the dance performance by Agni Papadeli Rossetou.

Constantinos Hatdzinikolaou (1974) was born and lives in Athens. He studied Surveyance at N.T.U.A, Cinema at New Sorbonne University, digital arts at the Athens School of Fine Arts MA program. His practice includes texts, films, performance, photography and installations. In 2013 he took part in the 4th Athens Biennale, while in 2017 he presented two works at documenta 14. In 2019 his filmic work using Super8 was presented at Belvedere 21 in Vienna. He has published the novel Iakovos (Antipodes publications, Menis Koumantareas Award for best first novel) as well as the collection of poetry Mimes co-authored with Andreas Ragnar Kasapis. He contributes frequently to Kathimerini newspaper. He has published texts in numerous publications, catalogues and magazines. He used to be part of the film collective Kine.

~

Andreas Ragnar Kassapis is SNF ARTWORKS Fellow in visual arts.

IN STANDING WATERS

IN STANDING WATERS
Konstantinos Kotsis
01.04.2021-09.04.2021
18:00-20:00

 

CLOSING SOON
Address: Egiidon 31, 118 53 Athens GR
E-mail: [email protected]
Instagram: closingsoonart
Website: www.closingsoon.gr

Look, Listen, Think & Imagine – April

The new short “documentaries” series entitled “Look, Listen, Think & Imagine” by Vlefaro live cinema, continues. Reality and fiction come together to give creative answers to everyday questions, inspired by true questions asked by children.

The purpose of these videos, in addition to inspiring, entertaining and providing learning opportunities for children, is to familiarize them with the process of creative thinking, connotations, dreams and, by extension, art and poetry. Children are invited to create their own works of art, often without being shown how, and following therefore, a reverse approach to the one usually adopted by creative workshops.

Paintings, photographs, animated images and original melodies are enlisted to set in motion an unusual animated encyclopaedia, which uses information as the launchpad to create something new. Each time, children are presented with a description of the theme, a piece of research, real and fictional data, famous works of art and connotations that arise from the particular episode’s concept. Then, they are free to choose the media they wish to use in order to create their own original artworks.

In April, we are looking into stories that are well hidden into history.

We combine them with imaginary narratives and scenarios, presenting another series of fiction documentaries, full of ideas and images, leading us to the creation of unique artwork.

Human, culture, art and science evolution are full of answers. However, we find leads raising more questions about everyday life. When was the first wig invented? Why Do Witches Ride Brooms? and not umbrellas?
What happens when we dream? How many shapes did the Earth change before scientists came to its spherical truth?

Where does the myth end and where does reality begin?

Let’s explore the world together.

Contributors:
Concept, Creative guidance: Angeliki Bozou
Music, montage, animation, narration: Thanos Kosmidis
Texts: Angeliki Bozou, Nelli Poulopoulou

Saturday 03, 10, 17, 24/04 | 11.00
For children aged 5+

Episodes will be available on this page, as well as on SNFCC’s Facebook page and YouTube Channel.

 

BEYOND NOSTALGIA HIJACK

BEYOND NOSTALGIA HIJACK

group show

Konstantinos Giotis
Eva Papamargariti
Konstantinos Pettas
Marios Stamatis
Valinia Svoronou

Duration: 17.04.21 – 22.05.21

Opening: Saturday 17 of April 11am-4pm

Konstantinos Giotis, Eva Papamargariti, Kontantinos Pettas and Valinia Svoronou are SNF ARTWORKS Fellow.

*

Taking into account all health measures for the safety of our visitors we kindly ask you to wear a mask when entering the space.

Up to 4 people will be allowed in the exhibition simultaneously.

4 FELLOWS JOIN THE Mediterranea 19 Young Artists Biennale School of Waters

The Mediterranean Biennale, organised by BJCEM – Biennale des Jeunes Créateurs de l’Europe et de la Méditerranée, will present the works of over 70 artists from 21 different countries, hosted for the first time by the Republic of San Marino. The title chosen for the nineteenth edition is School of Waters, imagining the Biennale as a collective platform capable of deconstructing stereotypes derived from the Eurocentric interpretation of the Mediterranean basin.

From 15 May to 31 October 2021, the Republic of San Marino will play host to MEDITERRANEA 19, the Biennale of Young European and Mediterranean Artists, promoted and organised by BJCEM – Biennale des Jeunes Créateurs de l’Europe et de la Méditerranée, an international association with 47 members and partners in 16 European and Mediterranean counties, in partnership with the Republic San Marino Ministry of Education and Culture, the Cultural Institutions of the Republic of San Marino and the University of the Republic of San Marino.

The eighteen editions since the Biennale first started life in 1985 in Barcelona have been hosted in such cities as Marseille, Valencia, Lisbon, Sarajevo and Athens, while the latest edition was held in the two cities of Tirana and Dürres, in Albania. The list of hosting institutions is no less impressive, taking in the MACRO in Rome, the Nottingham Contemporary in the UK and the Thessaloniki Museum of Contemporary Art in Greece.

With its title School of Waters, MEDITERRANEA 19 Young Artists Biennale will unfold in several spaces in the historical nucleus of San Marino, some in the National Gallery and others elsewhere, such as the First Tower – the republic’s original fortification atop Monte Titano, the Pianello Cisterns – a large mediaeval space located underneath the floor of the Public Palace, and the Old Convent of Santa Chiara, which now houses the University of San Marino.

The Biennale will present works, site-specific installations, films, videos and performances by more than 70 artists from the Mediterranean area, from Italy to Tunisia, from Spain to Montenegro, from France to Jordan and from Malta to Lebanon, with the aim of employing the common heritage of these shared waters as a starting point for overcoming nationalisms and rediscovering the Mediterranean as a complex platform of lifeforms and processes of knowledge.

The curatorial team has envisaged the Biennale as a temporary school, inspired by radical, experimental teaching methods and by how they challenge artistic, curatorial and research formats. Seen in this light, School of Waters acts as a collective tool for deconstructing the stereotypes that manipulate our geographical imaginings, especially the ones closest to the Eurocentric interpretation of the Mediterranean basin.

MEDITERRANEA 19 is curated by an international scientific committee comprising the founders and participants of the third edition of A Natural Oasis?, a training and research programme supported by BJCEM, directed since 2015 by Alessandro Castiglioni and Simone Frangi and open to curators, artists and cultural research under 34.
In addition to Castiglioni and Frangi (Senior Curators), the members of the Biennale’s curatorial board are Theodoulos Polyviou (Cyprus/UK), Denise Araouzou (Cyprus/Italy), Panos Giannikopoulos (Greece), Angeliki Tzortzakaki (Greece/Netherlands), Nicolas Vamvouklis (Greece/Italy), Giulia Gregnanin (San Marino/UK) and Giulia Colletti (Italy/UK).

The Biennale will be opened to the public on Friday 14 May 2021, in the presence of the institutions involved and of representatives of artists, BJCEM members and curators. The agenda, which will continue for the entire following week, will also include talks, performances and screenings, which will also be available in live streaming. A second appointment, this time with a greater focus on the performing arts, will be held in July 2021.
The opening will also be the occasion for the presentation of a book of research devoted to School of Waters, published by Archive Books of Berlin.

-.-.-

MEDITERRANEA 19 YOUNG ARTISTS BIENNALE
Republic of San Marino, multiple locations
15 May – 31 October 2021
Opening: Friday 14 May 2021, from 5.00 p.m.

FB @BjcemNetwork
IG @school_of_waters
bjcem.org | mediterraneabiennial.org
#schoolofwaters
#mediterranea19biennale
[email protected]

Catalogue
Published by Archive Books

Selected Artists: 

Noor Abed (PS), Adrian Abela (MT), Noor Abuarafeh (EG), ALTALENA (IT), Marco Antelmi (IT), Panos Aprahamian (LB), Bora Baboci (AL), Riccardo Badano & Hannah Rullman (IT), Hanan Benammar (NO), Yesmine Benkhelil (TN), Maeve Brennan (UK), Johanna Bruckner (AT), Dante Buu (ME), Madison Bycroft (FR), Annalisa Cannito (IT) in collaboration with, Wendimagegn Belete (ETH-NO), Valerio Conti (SM), Selin Davasse (TR), Binta Diaw (IT), Adji Dieye (IT), Enar de Dios Rodríguez (AT), Caterina De Nicola (IT), Marianne Fahmy (EG), Alessandra Ferrini (IT), Enrico Floriddia (IT), Victor Fotso Nyie (IT), Haris Giannouras (GR), Marco Giordano (IT), Adrijana Gvozdenović (ME), Bianca Hisse (NO), Areej Huniti & Eliza Goldox (JO), KABUL MAGAZINE (IT), Valentina Karga (GR), Dalia Khalife (LB), Ru Kim (FR), Gašper Kunšič (SI), Sotiris Tsiganos & Ionian Bisai (GR), Vesna Liponik (SI), DDC | Design di Comunità (SM), Filippo Marzocchi (IT), Corinne Mazzoli (IT), Dina Mimi (PS), Tawfik Naas (UK), Eleni Odysseos (CY), Francis Offman (IT), Mila Panić (BA), Eva Papamargariti (GR), GianMarco Porru (IT), Gabriele Rendina Cattani (IT), Jacopo Rinaldi (IT), Virginia Russolo (IT), Pablo Sandoval (ES), Michele Seffino (IT), Selma Selman (BA), Vanja Smiljanić (RS), Alcaeus Spyrou (AL), Chara Stergiou (GR), Valinia Svoronou (GR), Theo Triantafyllidis (GR), Endi Tupja (AL), Sophie Utikal (AT), Marina Xenofontos (CY)

 

ARTWORKS with the support of the Stavros Niarchos Foundation (SNF) partners with  Mediterranea 19 Young Artists Biennale “School of Water” and supports the 4 Greek artists and SNF ARTWORKS Fellows who have been selected to participate in the exhibition program (Jonian Bisai, Eva Papamargariti, Chara Stergiou and Valinia Svoronou).

 

 

More info: https://mediterraneabiennial.org/

KYRIAKI GONI AT THE 13th Shanghai Biennale “Bodies of Water”

Titled 水体 Bodies of Water, the 13th Shanghai Biennale will advocate for processes of planetary re-alliance relying on transspecies collectivity. Exploring forms of fluid solidarity, the Biennale will convene artists to think beyond human-centered and nation-based narratives, connecting the discussions of bodies with those of the environment.

The Biennale is engaging with the history and geography of Shanghai, a long-standing arena for liquid territorial bodies, and the site for this Biennale. The city is intimately connected to the 5,000-meter descent to the East China Sea of Qinghai-Tibet Plateau’s meltwaters located at the intersection of the Huangpu and the Yangtze Rivers, and in the vicinity of the human-made Jing-Hang Grand Canal. Particles dragged from up to 6,300 kilometers of sediment are metabolized by edible plants at the Yangtze Delta, China’s most fertile agricultural site. Mineral and organic matter, travelling suspended as part of bodies of water, is then rebodied. Water flowing reconstructs geographies and vitalizes organisms. Not without struggle.

The Shanghai Biennale, the oldest art biennale in China, will ultimately interrogate its own situation at PSA, a former coal-electric plant that fueled the industrialization of the Huangpu River, a cauldron of accelerated production and bodily mobilization.

This edition will nurture art as an ecosystem of practices closely connected to different forms of human and non-human knowledge, sense, and intelligence. In close collaboration with Shanghai’s universities and networks of independent art spaces and activism, the Biennale will build on art’s interdependency with science, social constructs, technology, and modes of spirituality. Rather than presenting art as autonomous, it will provide a platform to acknowledge the diversity in which research and knowledge-making happens and is disseminated.

THE PHASES: IN CRESCENDO BIENNALE

For the first time, the Shanghai Biennale will operate as an eight-month “in crescendo” project, unfolding in three phases:

PHASE 01: A WET-RUN REHEARSAL. November 10–14, 2020. A summit bringing together contributors to present their work in the form of a performative assembly taking place in the PSA’s Grand Hall and spreading out to networks of art spaces along the Yangtze River, as well as online.

PHASE 02: AN ECOSYSTEM OF ALLIANCES. November 15, 2020 – April 9, 2021. Keeping a permanent post at the PSA, the “in crescendo” project associates itself with infrastructures where online/offline social and communal life are taking place. These include streaming TV channels, social media, university programs, and serial interventions on urban dynamics.

PHASE 03: AN EXHIBITION. April 10 – June 27, 2021. Opening with a festival, the Biennale will unfold into an exhibition that will run through PSA and expand into a series of locations along the Huangpu River and across the city of Shanghai.

Shanghai Biennale 水体 Bodies of Water: The 13th Shanghai Biennale

Tuesday, November 10, 2020 – Sunday, June 27, 2021

Chief Curator: Andrés Jaque

Curators: YOU Mi, Marina Otero Verzier, Lucia Pietroiusti

Head of Research and Publications: Filipa Ramos

Participating artists:
Alberto Baraya; Ana Mendieta; Antoni Muntadas*; Astrida Neimanis*; Aunty Rhonda Dixon-Grovenor; Clare Britton*; Ayesha Tan Jones*; Cao Minghao and Chen Jianjun*; Carlos Casas*; Carlos Irijalba*; Cecilia Vicuña; Cheng Xinyi; Cooking Sections (Daniel Fernández Pascual and Alon Schwabe); Dai Chenlian*; Debajo del Sombrero (participating artists: Andrés Fernández, José Manuel Egea, Miguel García, María Lapastora and Belén Sánchez); Diakron and Emil Rønn Andersen*; Diane Severin Nguyen*; Feliciano Centurión; Guo Fengyi; Heather Phillipson*; Ibiye Camp*; Itziar Okariz*; Jenna Sutela; Joan Jonas*; Karrabing Film Collective; Kyriaki Goni*; Liam Young; Michael Wang*; Nerea Calvillo (C+arquitectas)*; P Staff in collaboration with Basse Stittgen*; Pepe Espaliú; Pu Yingwei*; ReUnion X DMAS*; Revital Cohen and Tuur Van Balen; Sun Xiaoxing, Qiu Zhen, Zhao Kunfang and Huang Siyao*; Tabita Rézaire; Torkwase Dyson*; Vera Frenkel; WORKac (Amale Andraos and Daniel Edward Wood); Zadie Xa and Benito Mayor Vallejo*; Zheng Mahler (Royce Ng and Daisy Bisenieks)

*Names with asterisks correspond to new commissions. Further artists to be announced at the press preview on April 15, 2021.

Kyriaki Goni is an SNF ARTWORKS Fellow 2018.

 

The PARAVAN, a workshop in collaboration with Victoria Square Project

The co-Living Room Community will be united by separation. The workshop will end up in the creation of common sculpture, a PARAVAN (folding screen) through personal insights around the concepts of travel, movement, route, trail and transition. The PARAVAN will enclose embroidery and sewing techniques, of which free motives, volumes and designs, a multilayer and textured surface will come up . Each participant will  trace its personal journey harmoniously intertwined with that of his neighbor. At the end of the workshop, the individual artworks will be collected and composed to the final artwork, THE PARAVAN, which will be installed in the actual Living Room of Victoria Square Project.

Total number of participants: 30
Teams: 2
Workshops: 2 per team
Duration: 1,5 hour per workshop
Workshop design & co-ordination: Sevastiana Konstaki (Fellow 2020) & Maria Foka

 

Talk: Eleanor Bauer

During our dance workshop led by Efrosini Protopapa and Steriani Tsintziloni, we had the pleasure to invite Eleanor Bauer for an artist talk. Eleanor spoke to us about the theory and research behind her practice, the non-linearity of dance and the limitations of using language when trying to answer the question ” How does dance think?”. Thank you Eleanor for such an inspiring talk and many thanks to our dance selection committee members and mentors, Efrosini and Stergiani for making this happen.

Eleanor Bauer is a performer and choreographer working at the intersections of dance, writing, and music. Her work is rooted in syntheses of embodied intelligences in her practice of making sense with the senses in performance. From solos to talk shows to large ensemble pieces, her versatile works range in scale, media, and genre traversing categories of performance with wit, humor, and aplomb.

 

Iris Touliatou will be joining the 5th New Museum Triennial, “Soft Water Hard Stone”

In this moment of profound change, where structures that were once thought to be stable are revealed to be precarious, broken, or on the verge of collapse, the 2021 Triennial recognizes artists reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works exalt states of transformation, calling attention to the malleability of structures, porous and unstable surfaces, and the fluid and adaptable potential of both technological and organic media. The works included in the exhibition look back toward overlooked artistic traditions and technological building blocks, while at the same time look forward toward the immaterial, the transitory, and the creative potential that might give dysfunctional or discarded remains new life.

The title of the 2021 Triennial, “Soft Water Hard Stone,” is taken from a Brazilian proverb: Água mole em pedra dura, tanto bate até que fura (Soft water on hard stone hits until it bores a hole). The proverb can be said to have two meanings: if one persists long enough, the desired effect can eventually be achieved; and time can destroy even the most perceptibly solid materials. The title speaks to ideas of resilience and perseverance, and the impact that an insistent yet discrete gesture can have in time. It also provides a metaphor for resistance, as water—a constantly flowing and often underestimated material—is capable of eventually dissolving stone—a substance associated with permanence, but also composed of tiny particles that can collapse under pressure.

“Soft Water Hard Stone” is curated by Margot Norton, Allen and Lola Goldring Curator at the New Museum, and Jamillah James, Senior Curator, The Institute of Contemporary Art, Los Angeles (ICA LA). Curatorial Fellow: Jeanette Bisschops.

Iris Touliatou is Fellow 2020 in visual arts.

More info: https://www.newmuseum.org/exhibitions/view/2021-triennial-soft-water-hard-stone

The exhibition will open in October 28th 2021 and will run through January 23, 2022.

Apples by Christos Nikou and Moon, 66 Questions by Jacqueline Lentzou in the 2021 New Directors/New Films lineup

Two Greek films in the 2021 New Directors/New Films lineup
MoMA The Museum of Modern Art and Film at Lincoln Center announced the 50th-anniversary edition of New Directors/New Films (ND/NF), available April 28 – May 8 via virtual cinema. Throughout its half-century history, the festival has celebrated filmmakers who represent the present and anticipate the future of cinema, and whose daring work pushes the envelope in unexpected ways. This year’s festival will introduce 27 features and 11 shorts to audiences nationwide in the MoMA and FLC virtual cinemas, and to New Yorkers at Film at Lincoln Center. Two Greek features, Apples by Christos Nikou and Moon, 66 Questions by Jacqueline Lentzou are among the 27 features of this year’s line up.

 

https://www.youtube.com/watch?v=4Tw2pvynYPA

More info: https://www.moma.org/calendar/film/5302

Christos Nikou and Jacqueline Lentzou are  moving image SNF ARTWORKS Fellows.

ΟUR FELLOWS PRESENT THEIR WORK – FEBRUARY

On February we had the chance to learn more about the works of Byron Kalomamas, Konstantinos Pettas, Eliza Sorogka, Elektra Stampoulou, Petros Efstathiadis, Lelle Demertzi, Stefania Orfanidou, Maria Tsilogianni, Antigone Theodorou and Anthi Kougia! Among other topics we reflected on displaced labour, questions around narrative formation and narration, authorship and authenticity, the ephemeral, the phenomenology of the space, speculative design and future studies. Thank you all for the great company and for the lively discussions!

 

“Cora” directed by Evi Kalogeropoulou wis the Εurimages Co-production Development Award

“Cora” directed by  Evi Kalogiropoulou won the Εurimages Co-production Development Award in the International Film Festival of Rotterdam. “Cora” follows the story of two women who fall in love and fight to go beyond the limitations of a dystopian patriarchal society.

Evi Kalogeropoulou is an SNF ARTWORKS Fellow 2019 in visual arts.