Author: gourgourini

FELLOWS PRESENTING THEIR WORK AT ΤΗΕ BENAKI MUSEUM

Within our collaboration with Benaki Museum, some of our Fellows had the chance to present their creative practice and works to Benaki Contemporaries and the rest of their co-Fellows. After their presentation, a q&a session was followed which led to open discussions and insightful exchange of ideas for the artistic practice, the institutional framework , artistic research and other interesting topics.

The following Fellows presented:
1. Thodoros Giannakis, 07.12.2019
2. Zoe Gaitanidou, 07.12.2019
3. Virginia Mastrogiannaki, 07.12.2019
4. Anastasia Douka, 07.12.2019
5. Margarita Bofiliou ,18.01.2020
6. Theo Prodromidis, 18.01.2020
7. Aggeliki Bozou, 06.02.2020
8. Anastasia Labrou, 06.02.2020
9. Alexandra Koumantaki, 06.02.2020
10. Olga Evaggelidou, 06.02.2020

Thank you all for sharing and special thanks to The Benaki Museum for hosting us!

EVI KALOGIROPOULOU, DELIRIOUS ATHENS

Our Fellow Evi Kalogiropoulou shows sculptural works in addition to a filmic work by examining the connections between mythology, patriarchal social structures and notions of femininity in her first solo exhibition in Germany.

Evi Kalogiropoulou is concerned with ancient feminist concepts and myths relevant to the female body. How were they perceived in the past and how are they represented in today’s society? Can new cultural identities arise from the emancipation of the female body in the context of technical developments?

In her examination of post-feminist theories, the Greek artist not only questions patriarchal historiography, she also inscribes her view in a speculative and questioning continuation of the ancient myths.

​Curator: Lotte Puschmann

GEORGIS GRIGORAKIS WON THE CICAE ART CINEMA AWARD FOR DIGGER AT BERLINALE

Georgis Grigorakis‘ (Fellow 2018) first feature ‘Digger’, won the CICEA Art Cinema Award at the 70th Panorama of Berlin Film Festival. The movie world-premiered at Berlinale on February 24th 2020.

Digger is a contemporary western about a native farmer who lives and works alone in a farmhouse in the heart of a mountain forest in Northern Greece. For years now, he has been fighting against an expanding industrial monster digging up the forest, disturbing the lush flora and threatening his property. Yet the greatest threat comes with the sudden arrival of his young son, after a 20-year separation. They turn into enemies under one roof. Father and son confront each other head-on, with nature as their only observer, a showdown that ultimately yields an unexpected redemption for both.

Georgis Grigorakis studied Social Psychology at the University of Sussex and obtained his Master’s degree on Directing Fiction at the National Film and Television School (NFTS, London). He has written and directed 8 short films that have been screened in more than 100 international festivals winning at least 20 prizes. They have also been shown on TV and distributed in movie theaters or as VODs. ‘Digger’ is his feature debut, a production of Haos Film, co-produced by Le Bureau (France) and Match Factory (Germany).

More info:  https://www.berlinale.de/en/programme/programme/detail.html?film_id=202004783

http://www.georgisgrigorakis.com/

CURATOR’S TALK: NICOLA TREZZI @INNOVATHENS

ARTOWORKS invites the Director and Chief Curator of Center of Contmporary Art, Tel Aviv – Nicola Trezzi – to a talk at Innovathens.

A few words about the talk:
Preceded by few pioneering positions, the last 20 years have witnessed the emergence of new kind of artist(s) who do NOT work alone and do NOT work with their own names. Through the conception – often based on appropriation from the field of art as well as from other fields – of their signature as the first work of art we encounter, a sign which replaces “inherited identity” with meaning, these artists are also redefining the kind of authorship that has been associated to artists since the time of Giorgio Vasari. Working through collaboration, agency and outsourcing, these artists take the notion of multitasking to the next level. Following these premises, the talk will expand on this framework and present representatives of such positions from all over the world.

A few words about the speaker:
Nicola Trezzi (Magenta, Italy, 1982) is an educator, exhibition maker and writer, currently the director of CCA Tel Aviv. From 2007 to 2014 he was US editor at Flash Art International, and his writings appeared also Flash Art Italia, Flash Art CZ&SK, artnet News, artpress, Il Sole 24 Ore, Monopol, White Fungus. He also contributed to the several exhibition catalogues, such as Postmonument (The 14th Sculpture Biennial, Carrara, 2010), Michael Kienzer: Logic and Self-Will (Kunsthaus Graz, 2012), Joshua Neustein: Drawing the Margins (Israel Museum Jerusalem, 2012), Michal Helfman: Change (CCA Tel Aviv, 2014), Ylva Ogland: She, an Introduction (Bonniers Konsthall, Stockholm, 2015), Ido Bar-El: Bagatelle, Paintings, 1986–2015 (Tel Aviv Museum of Art, 2015), Shai Yehezkelli: In Praise of Avalanche (Tel Aviv Museum of Art, 2016), Ashley Bickerton: Ornamental Hysteria (Newport Street Gallery, London, 2017), Efrat Natan / Nahum Tevet (Villa Stuck, Munich, 2017), and Yaara Zach: Lay Low (Petach Tikva Museum of Art, 2018). A staff member of the Prague Biennale Foundation from 2007 to 2014, he co-organized the following exhibitions: “Painting Overall” at the Prague Biennale 5, “Four Rooms” at the CCA in Warsaw, “Modern Talking” at the Muzeul National de Arta Cluj-Napoca, “Circa 1986” at HVCCA in Peekskill NY, “Champs-Élysées” at Palais de Tokyo in Paris, “Diagonal Histories—Imre Bak, Peter Halley—” and “Yael’s Dreams (and Nightmares),” both at Art+Text Budapest, “Yael Efrati: Eva and Emerick,” MNAC in Bucharest, “KEDEM–KODEM–KADIMA” and “Laurent Montaron: Replica,” both at CCA Tel Aviv. From 2014 to 2017 he was head of the MFA program at Bezalel Academy of Art and Design Jerusalem and he previously lectured at the Yale University School of Art (New Haven CT), SIAC (Chicago), iCI (New York), the Indonesian Institute of the Art (Yogyakarta) and The Faculty of Arts – Hamidrasha at Beit Berl College (Israel). Since 2007, he is associated to Lucie Fontaine, a pseudonymous, nomadic and collaborative project, which ideas have been presented in venues such as Marianne Boesky Gallery in New York, Galerie Perrotin in Paris, Iaspis in Stockholm, Artport in Tel Aviv and Kayu in Bali, among others.

The talk will be hosted on Thursday 20/02 at 11.00 @ INNOVATHENS.

Thank you for your support Athens Culture Net!

CURATOR’S TALK, Alessandro Castiglioni

Alessandro Castiglioni, senior co-curator of the Mediterranea 19 Young Artists Biennale, presented his curatorial practice and research on small territories and radical experiments in the art history of San Marino. Mediterranea 19, a transnational Biennale, will take place in the Republic of San Marino from October 2020 to February 2021 under the title School of Waters, featuring artists, researchers, writers under the age of 35, coming from or based within a constellation of territories related to the Mediterranean Sea.

 The open call runs through January 26, 2020.

Thank you to all our Fellows for coming and special thanks to our founding donor, the Stavros Niarchos Foundation.

Live cinema shows and workshops for children by Aggeliki Bozou

Our Fellow 2019 Aggeliki Bozou designs live cinema shows and art workshops for children inspired by Pablo Picasso’s paintings at the Stavros Niarchos Foundation Cultural Center (SNFCC).

Vlefaro Live Cinema lands at the SNFCC in February to present original productions based on Pablo Picasso’s life and work. A series of screening shows and art workshops will take place, based on handmade moving images and paper constructions that produce patterns of movement.

In the first part of each session, children and their adult chaperones attend a screening in which images are being painted and composed before their eyes, accompanied by live music. Following the screening, they participate in a sound and image art workshop, in which they process the screened material creatively.

Kids Lab
Saturday 08/02
11.00-12.30
Meeting point: NLG Lobby

For children aged 7-11 years old and their adult chaperones
Up to 15 children and 15 adult chaperones
Free admission by online preregistration (the workshop is conducted in Greek) ηλεκτρονική προεγγραφή

Music Collages
Saturday 15/02
11.00-12.30

For children aged 3-6 years old and their adult chaperones
Up to 15 children and 15 adult chaperones
Free admission by online preregistration (the workshop is conducted in

Cosmic Candy

The award winning film by our Fellow 2019 Rhino Dragasaki will be screening from January 30th  exclusively at Astor Cinema.

Anna, an eccentric and neurotic supermarket cashier, lives alone in Athens in her parents’ huge apartment. One day she will be forced to take in the 10-year old girl from next door after her father goes missing. At the same time, she will be confronted with her possible dismissal from work and the overwhelming scenario of a workplace romance. And all this, under the influence of excessive Cosmic Candy consumption.

Trailer: https://vimeo.com/360078196
Production: Βlonde, Εx Νihilo, Faliro House, ΕΚΚ, ΕΡΤ
Distribution: Weirdwave

 

Karolina Krasouli @ the frac île-de-france Window Display

Karolina Krasouli (Fellow 2019)  has created a new production inspired by objects related to the transmission of a message for the frac île-de-france Window Display. Sheets of paper, envelopes ans containers of words, in a simultaneously opaque and transparent stack, create spaces. In a play on the appearance of multiples and doubles the message is directed to both one person and everyone. The intention to deploy corresponds to the act of concealing. Showing what has been undone to the point where the message lies exactly at the centre of what escapes us.

Every month, the “Window Display” at l’antenne is home to a new art project linked to le plateau’s exhibitions, collection and educational outreach ventures.

https://www.fraciledefrance.com/karolina-krasouli/?lang=en

ENDYMION, Chapter 1: Penumbral Lunar Eclipse

Our Fellow 2019 Valinia Svoronou’s new work “ENDYMION / Chapter 1: Penumbral Lunar Eclipse” is the first narrative chapter of the artist’s augmented reality application. The work is an astronomy-stargazing application that reveals a story alongside new year’s celestial events beginning with the penumbral lunar eclipse on January 10, 2020. The app is informed by various myths surrounding the zodiac constellations, as well as their use as a means of navigation across the centuries. 

The underlying narrative of the app takes the ancient Greek myth of Endymion as a point of departure to explore romantic ideas around historical exchanges between East and West in relation to the contemporary world. Endymion’s myth assimilates the plot twists of Roman times, its romantic readings, and appropriations in pop culture. 

Svoronou uses the tools of astronomy to create a node where mythologies across time and geographical boundaries converge with scientific observation. The work, in addition to the app, exists as sculptural installation and a series of prints. As a porous membrane between the material, the digital, and the corporeal, the work allows for various stories to interweave, exploring their individual boundaries and allowing for them to resolve variously. Zodiac myths are understood here as escape plans, distractions, detours and wanderings. Svoronou brings together seemingly contradictory content to create something new, suggesting a kind of intuitive navigation-reading. She raises a series of questions about positivist readings of science, history and the art world. Through the mythological connection of Endymion and the Moon, she focuses on the power relations of the observer and the observed, subject and object, on the gendered dimension of the gaze to negotiate the concrete nature of the latter. 

Svoronou seeks to rethink the political possibilities of appropriation in art within the museum. Language, representation, and the space of action become tools and targets of critique – a means of reflection on the way stories are constructed, exhibited and consumed.

Duration: 10-17 January 2020
Digital Production: Aias Kokkalis
Curator: Panos Giannikopoulos

KYPSELIAN SALON

The exhibition is a living documentation of continuous artistic activity in the city as established Athens based artists, former Snehta residents and experimental practitioners will be coming together to exhibit small scale works, representative of their work and practice.

Fellows participating: Augustus Veinoglou, Eriphyli Veneri, Panos Profitis, Stefania Strouza.

Opening: 18th December, 20:00
Duration : 18-28 December

blablablack

The legendary Rebound Club Athens opens its doors in Amerikis Square to nine contemporary Greek visual artists. Stripped of music, its atmospheric underground space turns into a one-night stand actionfield for interventions in the form of performance, video, installation and sculpture. Everything black, black only. The bar will operate normally.

Rebound Club Athens
Mithimnis 43, Amerikis Square
Thursday, 12th December 2019 @ 20:00

Curated and coordinated by:  Eriphyli Veneri (Fellow 2019), Naira Stergiou

Artists participating:

Despina Charitonidi | Olga Evangelidou (Fellow 2019)| Panos Profitis (Fellow 2018) | Vasilis Papageorgiou (Fellow 2018) | Thalia Raftopoulou | Naira Stergiou | Alexandros Tzannis (Fellow 2019) | Augustus Veinoglou(Fellow 2018) | Eriphyli Veneri (Fellow 2019)

IT MOVES AND IT SHOUTS

It moves and it shouts. In my head. Shhhhhhhhh, writes queer French author Guillaume Dustan [1965-2005], who delved into the hedonism of the nightclubs and politicized the state of desire, the drive for ecstatic celebration.

IT MOVES AND IT SHOUTS wants to talk about empathising, becoming hybrid — dancing bodies, dancing minds towards a political body. It investigates new ways of perceiving the world, contextualising knowledge as a situated experience, but also playing with and dissolving the idea of borders, somatic, geographical, online or offline. It is through desire and pleasure that we navigate through this world, contesting at the same time various hierarchies. The works bring into consideration class, race, gender and sexuality, ability and illness as intersectional and propose new ecologies of existence.

The exhibition brings together works by Dimitris Dokatzis, Virginia Mastrogiannaki (Fellow 2019), Eva Papamargariti (Fellow 2019), Theodoulos Polyviou & Kiss the Architect, Spyros Rennt, Korallia Stergides, Marina Miliou-Theocharaki, Leontios Toumpouris, Kyle Vu-Dunn, Marina Xenofontos.

Curated by: Panos Giannikopoulos

Haus N Athen, Kairi 6, Monastiraki
Opening: 5 December at 20:00
Duration: 5 December 2019 – 5 January 2020
Opening hours: Fri.-Sat. 16:00-20:00

 

 

TIES TO PEOPLE, OF A CERTAIN INTENSITY @ Akwa Ibom

Akwa Ibom announces its inaugural exhibition ‘Ties to People, of a Certain Intensity’ which will be opened to the public Tuesday, December 3, at seven p.m. It will be an uncustomary group show featuring a new two-part film by Rosalind Nashashibi and six paintings by the newly minted NBA (Agency of New Way). NBA is currently Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė working jointly. This is the second time their work will be shown publicly. Their first exhibition titled ‘Giant’ opened earlier this year at Kunstverein Langenhagen in Germany, consisting of two wall paintings.

Inspired by Ursula K. Le Guin’s ‘The Shobies’ Story’, which tells the tale of the first human crew to participate in a newly invented faster-than-light mode of space travel, the film considers how we can remain connected to others outside of linear time where language, and therefore communication too, break down. Following this disruption of the emotional life of the individuals that make up the film’s unlikely but fated group, the film inspires an evolved idea of love – “general love, not just personal love” as Elena says – that extends beyond desire into the terrain of a bond rooted in the cohabitation of time. Nashashibi consulted the ‘I Ching’, an ancient Chinese divination manual, at the start of the shooting and has used its response to shape the making of the film and to title both parts. The outcome is an atypical sci-fi film that feels a lot like collaborative auto-fiction.

Rosalind Nashashibi is a London-based artist working in film and painting. Recent solo shows include Witte de With in Rotterdam in 2018 and Vienna Secession and CAAC Seville in 2019. Nashashibi is currently artist in residence at the National Gallery, London. She was a Turner Prize nominee in 2017, and her work has been included in Documenta 14, Manifesta 7, the Nordic Triennial, and Sharjah 10, and she won the Beck’s Futures prize in 2003. She is a Senior Lecturer in Fine Art at Goldsmiths University and is part of the duo Nashashibi/Skaer with Lucy Skaer.

NBA (Agency of New Way) is a group which makes artworks and exhibitions. For this occasion, the paintings of NBA were made by Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė.

Artists: Rosalind Nashashibi, NBA (Agency of New Way): Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė

OPENING Tuesday, December 3, at seven p.m. On view December 11, 2019 – February 14, 2020

https://akwaibomathens.org/

Gone today, here tomorrow

Curation: Eva Vaslamatzi (Fellow 2019)
Artists: Maria Theodoraki, Marcos Lutyens, Basim Magdy, Kosmas Nikolaou (Fellow 2018), Malvina Panagiotidi (Fellow 2018)
Duration: 20.11.2019 – 26.01.2020
Megaron, Vas. Sofias Ave. & Kokkali St.

Hydroexpress Project – an initiative by Marina Papadaki (Fellow 2019)

Within a context of experimentation and with the initiative of SNF ARTWORKS Fellow 2019 Marina Papadaki, Hydroexpress Project, opened its doors at November 9th. It is a hybrid space that houses an artist, a plumber and carries the memories of five generations. Its name is borrowed from the plumber’s shop”Ydroexpres”.

Hydroexpress Project is an ongoing project, during which, the events that are going to take place will be accompanied each time by a publication for the purpose of archiving. It is a hybrid that emerged from entering a “readymade”, without encroaching it. It could historically become the continuation of a chronic evolutionary process. There will be no attempt to create a new context or a new state. It will work in reverse. Through intimacy and by deconstructing the identity of the place, it is going to talk about already existing contexts, attitudes, stereotypes, and explore institutions, norms, and socioeconomic patterns.

At the Hydroexpress’ first project the space opens its doors and invites two artists, Anestis Ioannou and Vangelis Savvas, and three curators –Danai Giannoglou (SNF ARTWORKS Fellow 2019), Myrto Katsimicha and Eleni Riga – to place themselves  among this hybrid environment and its own signifieds.

ARTISTS:
Anestis Ioannou
Vangelis Savvas

WRITERS:
Danai Giannoglou
Myrto Katsimicha
Eleni Riga

OPEN DAYS:
Sunday 10/11
Friday 15/11
Saturday 16/11 & Sunday 17/11
17:00 – 20:00
or by appointment

Overview Effect – Encountering the Cosmos

The exhibition Overview Effect: Encountering the Cosmos presented in the context of the 7th Thessaloniki Biennale of Contemporary Art, invites us to engage in an exciting and remarkably refreshing parallel reading of moving and still images alike.

The Overview Effect, thanks to which astronauts see the Earth as a borderless whole, our common home without differences – as well as the fears, the hopes, the utopia, the reality, and the disillusionment that arise from this – is the mortar that binds and constitutes the fourteen films of the International Competition Section of the 60th Thessaloniki International Film Festival.

These films were allocated to fourteen young Greek artists, each of whom undertook to comment on one of them and create an original work of art with absolute freedom and no restrictions as to materials, technique, and style. The only guideline they were given by the TIFF was to study the Overview Effect and view the films through its lens, activating the process of highlighting the non-visible.

5 SNF ARTWORKS Fellows take part in the exhibition: Despina Flessa (Fellow 2018), Panos Kompis (Fellow 2018), Manolis D. Lemos (Fellow 2018), Virginia Mastrogiannaki (Fellow 2019) , Pavlos Tsakonas (Fellow 2018)

Other participating artists are:
Christos Delidimos, Giorgos Gerontides, Zoe Hatziyannaki, Kalos- Klio, Irini Karayannopoulou,  Elias Mamaliogas, Konstantinos Patsios, Antigoni Tsagkaropoulou, Alexis Vasilikos

Curation: Orestis Andreadakis / Production & Coordination: Thanos Stavropoulos

FELLOWS @ ARCH

On Friday October 25th we visited ARCH. Our Fellows 2019 had the chance to meet in person Athina Ioannou, artist in residence at ARCH and  discuss with her about the preparation of the exhibition Floating Gestures, the outcome of her 2-month stay at ARCH. Athina also talked about her artistic practice and her work until now. Atalanti Martinou, Founder and Director, informed our Fellows about the general scope of ARCH, its future activities and programme.

 

* The exhibition Floating Gestures is opening on November 7th

Meet and Greet with ARCAthens Residency Fellows

On Thursday October 24th, our Fellows 2019 had the chance to meet the 2 ARCAthens Residency Fellows at the beautiful yard of ATOPOS. Aristeidis Logothetis -ARCAthens founder and executive director- welcomed us and gave a short introduction about the scope and activities of ARCAthens, highlighting the importance of networks for artists. Visual artist  Tomashi Jackson and curator Miranda Lash  talked about their creative time in Athens, their work and research topics and exchanged ideas with ARTWORKS Fellows around topics that emerged from the open discussion. Some of the topics were migration, education and democracy. Lastly, Stamos Fafalios,  ATOPOS co-founder, guided the Fellows through some of the archives, sharing insightful stories.

ARCAthens is a not-for-profit organization dedicated to creating opportunities for visual artists to expand the discourse in the arts as well as in the local communities of Athens.

Atopos cvc is a non-profit, cultural organisation interested in the expression and adornment of the human body. The word ‘atopos’, from the ancient Greek “άτοπος”, refers to that which is the strange, the unwonted, the eccentric and the unclassifiable.

FULBRIGHT POLYMORPHIA

The Fulbright Foundation and Fulbright Artists Alumni, in collaboration with i-D ProjectArt, invite you to support the Fulbright Scholarship Program by acquiring a work of art. All proceeds will benefit the Fulbright Scholarship Program. The “Art Supports Education – Fulbright Alumni Art Series” is an initiative that began in 2009. In recognition of the fundamental role of education, Fulbright artist alumni donate their works in support of the Fulbright Scholarship Program.

This year’s series, “Fulbright POLYMORPHIA”, aims to highlight the diversity (polymorphia) of expression that characterizes the contemporary visual art scene and the arts in general, an element that is firmly supported by the Fulbright Artist Program.

Three of are Fellows – Fotis Sagonas (2018), Alex Simopoulos (2018) ,  Antonis Theodoridis  (2019) – participate among other artists.

Curation: Evgenia Alexaki

Participating Artists:
Erieta Attali, Dora Economou, Efi Chalikopoulou, Leonidas Chalepas, Titina Chalmatzi, Sofia Dona, Fotis Flevotomos, Elias Kafouros, Pygmalion Karatzas, Diane Katsiaficas, Zoe Keramea, Apostolos Kilessopoulos, Sia Kyriakakos, Pelagia Kyriazi, Maria Letsiou, Ioannis Michalou(di)s, Eleni Mylonas, Dimitris Papaioannou + Marilena Stafylidou, Lambros Papanikolatos, Vangelis Pliarides, Loukia Richards, Fotis Sagonas, Alex Simopoulos, Georgios Taxidis, Antonis Theodoridis, Angeliki Chaido Tsoli, Giorgios Tzinoudis, Costas Varotsos, Nikolas Ventourakis, Adonis Volanakis, Kristina Williamson, Zafos Xagoraris, Yiorgis Yerolymbos, Sotos Zachariadis, Theodoros Zafeiropoulos

On view until December 7th, 2019

A DAY IN THE LEIGH FERMOR HOUSE BY TEN ARTISTS

On the occasion of the recent renovation of the Patrick and Joan Leigh Fermor House in Kardamyli, the Stavros Niarchos Foundation (SNF) in collaboration with the Benaki Museum invited 10 of our Fellows to visit and reflect on the site. Here are their impressions  through personal notes, photographs, drawings and videos.

*Patrick and Joan Leigh Fermor bequeathed their home to the Benaki Museum in 1996. Its renovation was recently completed through the significant grant of the Stavros Niarchos Foundation.

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1. Cacao Rocks in collaboration with Alexandros Simopoulos

Comics, ink and acrylic on Polaroids, 2019 (Notes)

Alexandros Simopoulos

A series of painted-over Polaroids taken during

our visit and processed later. 

What is the distance between narrative and fact?  

Cacao Rocks

Improvised Telephone

A fishing line links Patrick Leigh Fermor to Pausanias. 

Each one holds a disposable cup to his ear.

The line has to be stretched in order for them to hear each other, but here and there

it is tangled up in prickly pears, masts, civil wars, shells, goats’ horns, olive groves, the backs of dolphins and ancient temples or cages of the gods, as they are also called. 

Their speech is broken up by white noise, cicada songs, heartbeats, hookah bubbles and summer thunder.

The improvised phone becomes our memory, along with all that we now despise, having surrendered to the universal dream.

A soldier’s boot in a whale’s stomach, the sweat of a woman dressed in black at the salt lakes, a Byzantine coat of arms and the reflection of the sun on the whitewash is what stayed in my eyes.

There wasn’t time for me to swim around Merope like you did every day. The truth is I don’t even know if I can do it, but hopefully in the future I will at least try.

Thank you Michali

Cacao Rocks

———————————————————————————————–

2. Giannis Delagrammatikas

on reflection, P.L.F.
video, 1’ 06” 

In 1933 Patrick Leigh Fermor began his first journey to Constantinople. A few items of clothing and a volume of Horace’s Odes accompanied him on his wanderings.

Kardamyli was chosen as the place he returned to, the retreat where recollections of travel, intense experiences, and inner journeys would be shared in his literary universe.

———————————————————————————————–

3. Niki Gulema

The landscape and objects in the house become the subject of sketches in a notebook.

“Except where their cutting edges were blurred by landslides, the mountains looked as harsh as steel. It was a dead, planetary place, a habitat for dragons. All was motionless.”

Excerpt from Patrick Leigh Fermor’s Mani

———————————————————————————————–

4. Katerina Kotsala

Walk on Me
2019

-cotton paper, the imprint of a pebbled floor, 55x25cm

-2 watercolors, a color study of a pebbled floor, 29×20.5cm

 Himself a walker, Patrick Leigh Fermor built a pebble path in his backyard. 

Walk on Me reproduces the pebble floor in the yard of the Fermor house; it is the imprint of the pebble surface on cotton paper. Watercolors refer to a color study of the pebbles used on the floor and evoke the distinctive sunset of Mani in Messinia. 

———————————————————————————————–

5. Orestis Mavroudis

BRIGHT SPECIAL LEIGH
MINI TERES 1 SPOT
BRASS TR
H.P.  D 3W /827 40D
220-240V 50/60Hz
EN60598-1
EN60598-2-1
IP65
CE
MADE IN GREECE ’19

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6. Kosmas Nikolaou

Drowning in the Details

Ten images that act as quick notes lead one’s gaze around the house, to points that we wouldn’t usually notice on our first visit. Ten images lead us to look at the house’s modern technical infrastructure. Quick clicks in space, a quick rotation, cracks, sockets, and air ducts. Small details betray the discreet renovation, noisily attesting to the new function of the house and, ultimately, its new owners.

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7. Stefania Strouza

The Dark Ones
2019, digital collage

 The photo collages are based on snake patterns that appear as engravings in different parts of the house and are juxtaposed with the belongings of its owners. The symbolically charged combinations hint at an introverted universe closer to the unconscious. They seem to be referring to Patrick Leigh Fermor’s mystical aspects as they ‘traverse’ an increasingly complex and ambivalent post-war world.

———————————————————————————————–

8. Pavlos Tsakonas

Portals
A series of digitally processed photographs 

First impressions of structural surfaces and details of the Fermor house, color-treated in the style of a quick sketch or note. The original stimulus that activates one’s curiosity to delve into an intensely adventurous world. 

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9. Neritan Zinxhiria

Mythology of Blue

The sea as a bridge that unites and doesn’t divide:

an author’s many travels, presented in summary through the covers of books that kept him company.