Author: gourgourini

WORKSHOP ON ARTISTS’ RIGHTS BY MARINA MARKELLOU

Our Fellows 2019 attended a workshop on artists’ rights and intellectual property at the new library of the Athens School of Fine Arts (ASKT) by Marina Markellou. The workshop raised issues such as the notion of intellectual property, the legal framework in Greece, appropriation and artists’ rights. Several case studies were presented and discussed.

Marina Markellou is an Attorney and Adjunct Lecturer of Law at the Panteion University, the Open Hellenic University and the Open Cyprus University. She specialises in Intellectual Property law, corporate, civil and data protection law.

 

 

CROSSINGS#2 @TAVROS

Our Fellow 2019 Carolina Krasouli in conversation at Crossings#2 .

Crossings#2 will focus on the relationship between the visual arts and literature. The film director Vasilis Noulas and the cinematographer Konstantinos Hadjinikolaou, both with a background in visual arts combined with a literary output will be in conversation with Carolina Krasouli and Nina Papakonstantinou two artists who have consistently visualized literary texts. Christoforos Marinos will coordinate the conversation.

 

More info: crossings#2

Supported by:
The J. F. Costopoulos Foundation, Outset Contemporary Art Fund Greece, The Panayotis and Effie Michelis Foundation, FIX Hellas

 

RΕSIDES AND WORKS IN ATHENS

Our Fellows, Christina Dimakogianni and Vera Chotzoglou, participate in the exhibition ‘Resides and work in Athens’.

A three-storey house in the heart of Exarcheia in Athens, becomes the field of action for a group of ten artists who explore and transmute their environments as sites of psychic-mental processes and states of affectedness (disorders, traumas, oscillations, modes of recovering and rebalancing etc.), through the use of photography, video and sound. The artists involved in the project all reside and work in Athens. In their fragmented everyday life, they inexorably yield to “multitasking”, in full accord with the dominant socio-economic and behavioral model of their era. Their daily activity is split into diverse forms of production. They live as internal “nomads” moving amidst a closed existential landscape of multiple ever-changing speeds and imploded time. Every once in a while they slow down unexpectedly. They pause, set up their equipment to “document”. They abandon the prey for the shade. The selection and arrangement of their works as a unity did not result from topic-based criteria (such as: the city, art in public space, urban culture etc.), but from a purely ergo-centric approach, emerging from the specificity of each individual work of art. All works involve projections on two-dimensional surfaces, forming a mosaic-like overall composition, rich in morphological and contextual qualities, textures, sensitivities, tonal values, degrees of introvertedness/extrovertedness, varying significantly in each project.

Participating artists: Vicky Betsou, Vera Chotzoglou, Taxiarchis Diamantopoulos, Christina Dimakogianni, Gabriella Gerolemou, Yannis Karpouzis, Marietta Kavvadia, Vladimir Necakov, Alfredo Pechuan, Michaelangelo Vlassis-Ziakas.

Lectures and presentations of the artists’ work will take place during the exhibition.

Duration: 28.02 – 13.03. 2020

Works on Paper 1972 – 2020

Bernier-Eliades Gallery presents works on paper created from 1972 until today, by the older and younger generation of artists that have been collaborating with the
gallery.Our Fellow Alexandros Tzannis is participating in the exhibition with a series titled ‘Blue Black Layers Over the White Cities’ that has been
ongoing from 2015 until today. It concerns mapping of areas of cities, particular details or specific places of those. Drawings made of ink and pen, in multiple layers of black and blue covering the white paper in a correlation to the layers of melancholy and darkness which cover the cities.

Artists: Alexis Akrithakis, Stephen Antonakos, Delia Brown, Michael Buthe, Lionel Estève, Hannah Greely,
Dionysis Kavallieratos, Jannis Kounellis William Kentridge, Richard Long, Valérie Mannaerts, Brice
Marden, Marisa Merz, Mario Merz, Annette Messager, Juan Muñoz, Nikos Navridis, Tony Oursler,
Raymond Pettibon, Daniel Richter, Thomas Schütte, Jim Shaw, Christiana Soulou, Wayne Thiebaud,
Alexandros Tzannis, Monique Van Genderen, Kara Walker, Lawrence Weiner, Sue Williams, Robert
Wilson, Gilberto Zorio.

Duration: 20 February – 2 April, 2020

WORKSHOP FOR OUR CURATORIAL FELLOWS LED BY CHRISTOPHER MARINOS

Christopher Marinos, independent curator and member of our selection committee, designed a workshop for our Curatorial Fellows that consisted of guided tours at private, corporate and museum collections and inspiring conversations with artists and art professionals.

The workshop consisted of the following visits:

1. Visit at the house of artist and professor Rena Papaspyrou, Athens, 13.01.2020
2. A preview of the new display of the permanent collection of the National Museum of Contemporary Art, Athens, 22.01.2020
3. New Library of Athens School of Fine Arts (ASKT), Christos Joakimides collection, 27.01.2020
4. Epi Protonotariou House, Paiania 03.02.2020
5. Zeya Collection, Athens, 10.02.2020

Participant Fellows: Danai Giannoglou, Christina Petkopoulou, Mare Spanoudaki, Maya Tounta, Eva Vaslamatzi.

Cra(u)sh. Or How You Made Me Kiss The Pavement.

Can we capture our lives overturned by a crash?

Three of our Fellows – Evi Kalogeropoulou, Eva Papamargariti, and Valinia Svoronou – participate with their works in the exhibition Cra(u)sh. Or how you made me kiss the pavement the pavement., which examines the other side of the accident. Streets, routes, vehicles, encounters, crashes, are revisited through the new materialist agenda and pop culture. Twelve young artists study drifts and wounds, isolate and re-construct the entanglement of matter and flesh, the absolute fusion of machine, landscape and man, within the premise of organic and inorganic world.

With reference to J.G.Ballard’s literary work Crash from the 70s and the notion of the fetishistic desire erected by he crash, the body as anatomy and sign encounters emotions and the inorganic. The wound, as the engraved trace upon the skin, becomes a mouth or a vagina, revealing love for the inorganic. The exhibition’s space stimulates the scene of the crash.

Through different mediums and practices, the artists unfold different sides of crash and crush. The artworks include image bendings of an automotive legacy, interpretations of erotic symbols, exhausting trials of hard/soft materiality, perfomative reductions of conflict, techno-bio-philic studies of the hybridal boy and docu-fictove formulations of archival material.

Who’s next to cra(u)sh?

Artists:
Phaidon Gialis, Konstantinos Giotis, Christos Delidimos, Evi Kalogeropoulou, Byron Kalomamas, Orestis Karalis, Konstantinos Lianos, Eva Papamargariti, Marios Stamatis, Valinia Svoronou, Marina Velisioti, Iria Vrettou.

Curator:
Vassiliki-Maria Plavou.

Exhibition Duration: 14 February – 08 March.
Opening: 14 February, 20:00.

 

 

FELLOWS PRESENTING THEIR WORK AT ΤΗΕ BENAKI MUSEUM

Within our collaboration with Benaki Museum, some of our Fellows had the chance to present their creative practice and works to Benaki Contemporaries and the rest of their co-Fellows. After their presentation, a q&a session was followed which led to open discussions and insightful exchange of ideas for the artistic practice, the institutional framework , artistic research and other interesting topics.

The following Fellows presented:
1. Thodoros Giannakis, 07.12.2019
2. Zoe Gaitanidou, 07.12.2019
3. Virginia Mastrogiannaki, 07.12.2019
4. Anastasia Douka, 07.12.2019
5. Margarita Bofiliou ,18.01.2020
6. Theo Prodromidis, 18.01.2020
7. Aggeliki Bozou, 06.02.2020
8. Anastasia Labrou, 06.02.2020
9. Alexandra Koumantaki, 06.02.2020
10. Olga Evaggelidou, 06.02.2020

Thank you all for sharing and special thanks to The Benaki Museum for hosting us!

EVI KALOGIROPOULOU, DELIRIOUS ATHENS

Our Fellow Evi Kalogiropoulou shows sculptural works in addition to a filmic work by examining the connections between mythology, patriarchal social structures and notions of femininity in her first solo exhibition in Germany.

Evi Kalogiropoulou is concerned with ancient feminist concepts and myths relevant to the female body. How were they perceived in the past and how are they represented in today’s society? Can new cultural identities arise from the emancipation of the female body in the context of technical developments?

In her examination of post-feminist theories, the Greek artist not only questions patriarchal historiography, she also inscribes her view in a speculative and questioning continuation of the ancient myths.

​Curator: Lotte Puschmann

GEORGIS GRIGORAKIS WON THE CICAE ART CINEMA AWARD FOR DIGGER AT BERLINALE

Georgis Grigorakis‘ (Fellow 2018) first feature ‘Digger’, won the CICEA Art Cinema Award at the 70th Panorama of Berlin Film Festival. The movie world-premiered at Berlinale on February 24th 2020.

Digger is a contemporary western about a native farmer who lives and works alone in a farmhouse in the heart of a mountain forest in Northern Greece. For years now, he has been fighting against an expanding industrial monster digging up the forest, disturbing the lush flora and threatening his property. Yet the greatest threat comes with the sudden arrival of his young son, after a 20-year separation. They turn into enemies under one roof. Father and son confront each other head-on, with nature as their only observer, a showdown that ultimately yields an unexpected redemption for both.

Georgis Grigorakis studied Social Psychology at the University of Sussex and obtained his Master’s degree on Directing Fiction at the National Film and Television School (NFTS, London). He has written and directed 8 short films that have been screened in more than 100 international festivals winning at least 20 prizes. They have also been shown on TV and distributed in movie theaters or as VODs. ‘Digger’ is his feature debut, a production of Haos Film, co-produced by Le Bureau (France) and Match Factory (Germany).

More info:  https://www.berlinale.de/en/programme/programme/detail.html?film_id=202004783

http://www.georgisgrigorakis.com/

CURATOR’S TALK: NICOLA TREZZI @INNOVATHENS

ARTOWORKS invites the Director and Chief Curator of Center of Contmporary Art, Tel Aviv – Nicola Trezzi – to a talk at Innovathens.

A few words about the talk:
Preceded by few pioneering positions, the last 20 years have witnessed the emergence of new kind of artist(s) who do NOT work alone and do NOT work with their own names. Through the conception – often based on appropriation from the field of art as well as from other fields – of their signature as the first work of art we encounter, a sign which replaces “inherited identity” with meaning, these artists are also redefining the kind of authorship that has been associated to artists since the time of Giorgio Vasari. Working through collaboration, agency and outsourcing, these artists take the notion of multitasking to the next level. Following these premises, the talk will expand on this framework and present representatives of such positions from all over the world.

A few words about the speaker:
Nicola Trezzi (Magenta, Italy, 1982) is an educator, exhibition maker and writer, currently the director of CCA Tel Aviv. From 2007 to 2014 he was US editor at Flash Art International, and his writings appeared also Flash Art Italia, Flash Art CZ&SK, artnet News, artpress, Il Sole 24 Ore, Monopol, White Fungus. He also contributed to the several exhibition catalogues, such as Postmonument (The 14th Sculpture Biennial, Carrara, 2010), Michael Kienzer: Logic and Self-Will (Kunsthaus Graz, 2012), Joshua Neustein: Drawing the Margins (Israel Museum Jerusalem, 2012), Michal Helfman: Change (CCA Tel Aviv, 2014), Ylva Ogland: She, an Introduction (Bonniers Konsthall, Stockholm, 2015), Ido Bar-El: Bagatelle, Paintings, 1986–2015 (Tel Aviv Museum of Art, 2015), Shai Yehezkelli: In Praise of Avalanche (Tel Aviv Museum of Art, 2016), Ashley Bickerton: Ornamental Hysteria (Newport Street Gallery, London, 2017), Efrat Natan / Nahum Tevet (Villa Stuck, Munich, 2017), and Yaara Zach: Lay Low (Petach Tikva Museum of Art, 2018). A staff member of the Prague Biennale Foundation from 2007 to 2014, he co-organized the following exhibitions: “Painting Overall” at the Prague Biennale 5, “Four Rooms” at the CCA in Warsaw, “Modern Talking” at the Muzeul National de Arta Cluj-Napoca, “Circa 1986” at HVCCA in Peekskill NY, “Champs-Élysées” at Palais de Tokyo in Paris, “Diagonal Histories—Imre Bak, Peter Halley—” and “Yael’s Dreams (and Nightmares),” both at Art+Text Budapest, “Yael Efrati: Eva and Emerick,” MNAC in Bucharest, “KEDEM–KODEM–KADIMA” and “Laurent Montaron: Replica,” both at CCA Tel Aviv. From 2014 to 2017 he was head of the MFA program at Bezalel Academy of Art and Design Jerusalem and he previously lectured at the Yale University School of Art (New Haven CT), SIAC (Chicago), iCI (New York), the Indonesian Institute of the Art (Yogyakarta) and The Faculty of Arts – Hamidrasha at Beit Berl College (Israel). Since 2007, he is associated to Lucie Fontaine, a pseudonymous, nomadic and collaborative project, which ideas have been presented in venues such as Marianne Boesky Gallery in New York, Galerie Perrotin in Paris, Iaspis in Stockholm, Artport in Tel Aviv and Kayu in Bali, among others.

The talk will be hosted on Thursday 20/02 at 11.00 @ INNOVATHENS.

Thank you for your support Athens Culture Net!

CURATOR’S TALK, Alessandro Castiglioni

Alessandro Castiglioni, senior co-curator of the Mediterranea 19 Young Artists Biennale, presented his curatorial practice and research on small territories and radical experiments in the art history of San Marino. Mediterranea 19, a transnational Biennale, will take place in the Republic of San Marino from October 2020 to February 2021 under the title School of Waters, featuring artists, researchers, writers under the age of 35, coming from or based within a constellation of territories related to the Mediterranean Sea.

 The open call runs through January 26, 2020.

Thank you to all our Fellows for coming and special thanks to our founding donor, the Stavros Niarchos Foundation.

Live cinema shows and workshops for children by Aggeliki Bozou

Our Fellow 2019 Aggeliki Bozou designs live cinema shows and art workshops for children inspired by Pablo Picasso’s paintings at the Stavros Niarchos Foundation Cultural Center (SNFCC).

Vlefaro Live Cinema lands at the SNFCC in February to present original productions based on Pablo Picasso’s life and work. A series of screening shows and art workshops will take place, based on handmade moving images and paper constructions that produce patterns of movement.

In the first part of each session, children and their adult chaperones attend a screening in which images are being painted and composed before their eyes, accompanied by live music. Following the screening, they participate in a sound and image art workshop, in which they process the screened material creatively.

Kids Lab
Saturday 08/02
11.00-12.30
Meeting point: NLG Lobby

For children aged 7-11 years old and their adult chaperones
Up to 15 children and 15 adult chaperones
Free admission by online preregistration (the workshop is conducted in Greek) ηλεκτρονική προεγγραφή

Music Collages
Saturday 15/02
11.00-12.30

For children aged 3-6 years old and their adult chaperones
Up to 15 children and 15 adult chaperones
Free admission by online preregistration (the workshop is conducted in

Cosmic Candy

The award winning film by our Fellow 2019 Rhino Dragasaki will be screening from January 30th  exclusively at Astor Cinema.

Anna, an eccentric and neurotic supermarket cashier, lives alone in Athens in her parents’ huge apartment. One day she will be forced to take in the 10-year old girl from next door after her father goes missing. At the same time, she will be confronted with her possible dismissal from work and the overwhelming scenario of a workplace romance. And all this, under the influence of excessive Cosmic Candy consumption.

Trailer: https://vimeo.com/360078196
Production: Βlonde, Εx Νihilo, Faliro House, ΕΚΚ, ΕΡΤ
Distribution: Weirdwave

 

Karolina Krasouli @ the frac île-de-france Window Display

Karolina Krasouli (Fellow 2019)  has created a new production inspired by objects related to the transmission of a message for the frac île-de-france Window Display. Sheets of paper, envelopes ans containers of words, in a simultaneously opaque and transparent stack, create spaces. In a play on the appearance of multiples and doubles the message is directed to both one person and everyone. The intention to deploy corresponds to the act of concealing. Showing what has been undone to the point where the message lies exactly at the centre of what escapes us.

Every month, the “Window Display” at l’antenne is home to a new art project linked to le plateau’s exhibitions, collection and educational outreach ventures.

https://www.fraciledefrance.com/karolina-krasouli/?lang=en

ENDYMION, Chapter 1: Penumbral Lunar Eclipse

Our Fellow 2019 Valinia Svoronou’s new work “ENDYMION / Chapter 1: Penumbral Lunar Eclipse” is the first narrative chapter of the artist’s augmented reality application. The work is an astronomy-stargazing application that reveals a story alongside new year’s celestial events beginning with the penumbral lunar eclipse on January 10, 2020. The app is informed by various myths surrounding the zodiac constellations, as well as their use as a means of navigation across the centuries. 

The underlying narrative of the app takes the ancient Greek myth of Endymion as a point of departure to explore romantic ideas around historical exchanges between East and West in relation to the contemporary world. Endymion’s myth assimilates the plot twists of Roman times, its romantic readings, and appropriations in pop culture. 

Svoronou uses the tools of astronomy to create a node where mythologies across time and geographical boundaries converge with scientific observation. The work, in addition to the app, exists as sculptural installation and a series of prints. As a porous membrane between the material, the digital, and the corporeal, the work allows for various stories to interweave, exploring their individual boundaries and allowing for them to resolve variously. Zodiac myths are understood here as escape plans, distractions, detours and wanderings. Svoronou brings together seemingly contradictory content to create something new, suggesting a kind of intuitive navigation-reading. She raises a series of questions about positivist readings of science, history and the art world. Through the mythological connection of Endymion and the Moon, she focuses on the power relations of the observer and the observed, subject and object, on the gendered dimension of the gaze to negotiate the concrete nature of the latter. 

Svoronou seeks to rethink the political possibilities of appropriation in art within the museum. Language, representation, and the space of action become tools and targets of critique – a means of reflection on the way stories are constructed, exhibited and consumed.

Duration: 10-17 January 2020
Digital Production: Aias Kokkalis
Curator: Panos Giannikopoulos

KYPSELIAN SALON

The exhibition is a living documentation of continuous artistic activity in the city as established Athens based artists, former Snehta residents and experimental practitioners will be coming together to exhibit small scale works, representative of their work and practice.

Fellows participating: Augustus Veinoglou, Eriphyli Veneri, Panos Profitis, Stefania Strouza.

Opening: 18th December, 20:00
Duration : 18-28 December

blablablack

The legendary Rebound Club Athens opens its doors in Amerikis Square to nine contemporary Greek visual artists. Stripped of music, its atmospheric underground space turns into a one-night stand actionfield for interventions in the form of performance, video, installation and sculpture. Everything black, black only. The bar will operate normally.

Rebound Club Athens
Mithimnis 43, Amerikis Square
Thursday, 12th December 2019 @ 20:00

Curated and coordinated by:  Eriphyli Veneri (Fellow 2019), Naira Stergiou

Artists participating:

Despina Charitonidi | Olga Evangelidou (Fellow 2019)| Panos Profitis (Fellow 2018) | Vasilis Papageorgiou (Fellow 2018) | Thalia Raftopoulou | Naira Stergiou | Alexandros Tzannis (Fellow 2019) | Augustus Veinoglou(Fellow 2018) | Eriphyli Veneri (Fellow 2019)

IT MOVES AND IT SHOUTS

It moves and it shouts. In my head. Shhhhhhhhh, writes queer French author Guillaume Dustan [1965-2005], who delved into the hedonism of the nightclubs and politicized the state of desire, the drive for ecstatic celebration.

IT MOVES AND IT SHOUTS wants to talk about empathising, becoming hybrid — dancing bodies, dancing minds towards a political body. It investigates new ways of perceiving the world, contextualising knowledge as a situated experience, but also playing with and dissolving the idea of borders, somatic, geographical, online or offline. It is through desire and pleasure that we navigate through this world, contesting at the same time various hierarchies. The works bring into consideration class, race, gender and sexuality, ability and illness as intersectional and propose new ecologies of existence.

The exhibition brings together works by Dimitris Dokatzis, Virginia Mastrogiannaki (Fellow 2019), Eva Papamargariti (Fellow 2019), Theodoulos Polyviou & Kiss the Architect, Spyros Rennt, Korallia Stergides, Marina Miliou-Theocharaki, Leontios Toumpouris, Kyle Vu-Dunn, Marina Xenofontos.

Curated by: Panos Giannikopoulos

Haus N Athen, Kairi 6, Monastiraki
Opening: 5 December at 20:00
Duration: 5 December 2019 – 5 January 2020
Opening hours: Fri.-Sat. 16:00-20:00

 

 

TIES TO PEOPLE, OF A CERTAIN INTENSITY @ Akwa Ibom

Akwa Ibom announces its inaugural exhibition ‘Ties to People, of a Certain Intensity’ which will be opened to the public Tuesday, December 3, at seven p.m. It will be an uncustomary group show featuring a new two-part film by Rosalind Nashashibi and six paintings by the newly minted NBA (Agency of New Way). NBA is currently Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė working jointly. This is the second time their work will be shown publicly. Their first exhibition titled ‘Giant’ opened earlier this year at Kunstverein Langenhagen in Germany, consisting of two wall paintings.

Inspired by Ursula K. Le Guin’s ‘The Shobies’ Story’, which tells the tale of the first human crew to participate in a newly invented faster-than-light mode of space travel, the film considers how we can remain connected to others outside of linear time where language, and therefore communication too, break down. Following this disruption of the emotional life of the individuals that make up the film’s unlikely but fated group, the film inspires an evolved idea of love – “general love, not just personal love” as Elena says – that extends beyond desire into the terrain of a bond rooted in the cohabitation of time. Nashashibi consulted the ‘I Ching’, an ancient Chinese divination manual, at the start of the shooting and has used its response to shape the making of the film and to title both parts. The outcome is an atypical sci-fi film that feels a lot like collaborative auto-fiction.

Rosalind Nashashibi is a London-based artist working in film and painting. Recent solo shows include Witte de With in Rotterdam in 2018 and Vienna Secession and CAAC Seville in 2019. Nashashibi is currently artist in residence at the National Gallery, London. She was a Turner Prize nominee in 2017, and her work has been included in Documenta 14, Manifesta 7, the Nordic Triennial, and Sharjah 10, and she won the Beck’s Futures prize in 2003. She is a Senior Lecturer in Fine Art at Goldsmiths University and is part of the duo Nashashibi/Skaer with Lucy Skaer.

NBA (Agency of New Way) is a group which makes artworks and exhibitions. For this occasion, the paintings of NBA were made by Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė.

Artists: Rosalind Nashashibi, NBA (Agency of New Way): Nick Bastis, Liudvikas Buklys, Gintaras Didžiapetris, Dalia Dūdenaitė, Ona Kvintaitė and Elena Narbutaitė

OPENING Tuesday, December 3, at seven p.m. On view December 11, 2019 – February 14, 2020

https://akwaibomathens.org/

Gone today, here tomorrow

Curation: Eva Vaslamatzi (Fellow 2019)
Artists: Maria Theodoraki, Marcos Lutyens, Basim Magdy, Kosmas Nikolaou (Fellow 2018), Malvina Panagiotidi (Fellow 2018)
Duration: 20.11.2019 – 26.01.2020
Megaron, Vas. Sofias Ave. & Kokkali St.